Aristophanes utilizes the
symbols fire and water to contrast the choruses of men and women. Within their
battle of the elements, each gender gibes the other based on the single stories
they’ve been misled to believe. The aura of patriarchal society is most obvious
when the chorus of men assume the role of the superior sex: “So when mere women
(who gall the gods and make Euripides sick),” (38-39), “Can’t stand a
foul-mouthed female,” (49), “I categorically refuse to shush for some
confounded woman, who wears- as a reminder of congenial inferiority…a veil!” (57).
Lysistrata further mentions on page 56 this
stereotype they are subject to fall into. She explains that the wives tolerated
their husbands when the war began. After the husbands came home from fighting,
their wives would prod the men to divulge how they accumulated peace. Yet time
after time, they’d “[pass] another decree, fouler than the first” and “keep
[the wives] from giving advice”. In turn, the women became fed up, therefore
causing the pact of abstinence allowing the women to break the inferior view of
themselves: “We’re not slaves; We’re freeborn women… Never Underestimate the
Power of a Woman,” (51), “Women, weaker vessels, arise!” (58), “I admit to
being a woman- but don’t sell my contributions short on that account,” (66). Perhaps
flames depict the fiery personas of men and their war-like mindsets while women
epitomize the cooling characteristics of water that douse the belligerent blaze.
Lysistrata, the chorus of women, and females in the world today should heed the
advice of Mother Teresa when she says: 

I did not recognize this symbol as I was reading but I do feel that it does fully capture the behavior of each gender. The men are brash and most believe nothing will stop their recklessness; but only the women (who seem as unhelpful in a battle as water) put out the men quicker than anything else could have. Like water women are also a necessity and cool which explains why they keep their cities running smoothly and desire peace.
ReplyDelete